#Abstract expressionism
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dailyrothko · 3 days ago
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Mark Rothko, Untitled, 1957
© Kate Rothko Prizel & Christopher Rothko; Artists Rights Society 
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sergeypalche · 3 days ago
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Sergey Palche
Untitled (Siren), 2024
11 ²⁷/₆₄ x 16 ¹⁷/₃₂ inches (29 x 42 cm)
Oil, acrylic on paper.
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theartofjamesb · 23 hours ago
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Blown Out Brains
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diana-andraste · 3 months ago
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Booster and 7 studies series / Autobiography, Robert Rauschenberg, 1967-68
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jamesusilljournal · 10 months ago
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Dusk Till Dawn, Josh E Wylie, 2023
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the-cricket-chirps · 1 year ago
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Untitled (Green Paintings)
Cy Twombly
ca. 1986
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jareckiworld · 5 months ago
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Janet Sobel (1894-1968) — The Illusion of Strength [oil, canvas, 1945]
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suhaylah · 10 months ago
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The Spinning Pines (2023) oil & acrylic on linen Instagram: @ suhaylah.h Shop: suhaylah.bigcartel.com Patreon: patreon.com/suhaylah_h
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patrickelvinart · 7 months ago
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Early mornings
black sharpie and water color
Westwood 1986
Let me try to explain myself.
When I was a young man I loved illustration.
Perhaps the two illustrators who had the greatest influence on me were Aubrey Beardsley and Jean Giraud aka Moebius. Both artist drew with a fine line and I tried to emulate that.
Here's an old drawing of mine.
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pencil drawing
Venice CA 1978
So back then I saw myself as an illustrator.
Then sometime around 1980 I was introduced to Abstract Expressionism and I had an epiphany...
Could I approach Abstract Expressionism with an illustrator's line?
A new world opened up to me and I started having fun with my drawing.
And then, for about 35 years I never drew an identifiable object.
No joke.
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Still Life
black sharpie
Westwood 1985
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Attitude Adjustment
pen, colored pencil and watercolor
Duarte CA 1996
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Time never began
black sharpie on bond paper
San Francisco 2003
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Dan's drawing
black sharpie
Rosemead 2011
i did a lot of these drawings. And I really enjoyed making them. For over thirty years I completely liberated myself from the rigors of drawing something that had to look like something. And I loved it. But then...
Sometime around 2015 I returned to illustration. Why? I'll be honest with you, I started to miss it.
Call it full circle but that's where I'm at now.
I still treasure my line though.
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little boxes
black sharpie on paper
Los Angeles 2019
Thank you Aubrey and Jean.
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Aubrey Beardsley
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Jean Giraud aka Moebius
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burnt-cheese-toastie · 5 months ago
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collapsing star AU
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☕|🧀
twilight with the absorbed magic of celestia, luna and cadence has been "gifted" a rank just under god, above the animals, ponies, and angels. a demi-god
but this "gift" is a mere curse onto twilight, not being good enough, but high above the rest where even her friends feel like ants under her hoof. the truths of everything burns a horrid hole into her mind.
just a straw away from collapsing under the phycological, physical and social pressure.
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woundgallery · 7 months ago
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Cy Twombly, Goethe in Italy, 1978
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dailyrothko · 2 days ago
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Mark Rothko, Black Stripe (Orange, Gold and Black), 1957
Signed and dated ‘MARK ROTHKO 1957’ (on the reverse), oil on canvas, 68 1/8 x 38 3/8 in. (173.1 x 97.5 cm.) 
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autoneurotic · 1 year ago
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burst apart ii
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oncanvas · 4 months ago
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Mars Dust, Alma Thomas, 1972
Acrylic on canvas 69 ¼ × 57 ⅛ in. (175.9 × 145.1 cm) Whitney Museum of American Art, New York City, NY, USA
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bal-bullier · 6 months ago
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Lee Krasner
City Verticals (1953)
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